- Ronaco Dance (2020)
- En-Kin-Esi (2019)
- Follow and Listen (2018)
- Black Sand (2018)
- S o c i a l I C E (2016)
- Empty Pools (2015)
- The Before, the After and the In Between (2015)
- Το ρολόι [The clock] (2014
- Through Skin (2014)
- Cought in a loop (2014)
- Αἰθήρ [Aether] (2014)
- My other selves (2014)
- Ηχώ [Echo] (2014)
- Aerial State of Mind (2013)
- East Coast Dive (2013)
- Dreams in a Groundless Land (2013)
- Fuego (2012)
- Antigone (2012)
Ronaco Dance (2020) – for Virtual Ensemble
A dancing flavor in the mist of enclosure. This short, humorous piece was written, performed, recorded and edited virtually.
Burcu Ramazanoğlu – Violin
Iván Nogueira – Cello
Marko Hristoskov – Double Bass
Robin Eggers – Percussion Pans
Artistic Director Virtual Ensemble – Kaori Neus
En-Kin-Esi [Εν Κινήσει] (2019) – for Bass Clarinet
A solo written for the Bass Clarinetist Fie Schouten
Εν κινήσει, in motion.
the changes that occur influence
your body, your mind, your soul; bring new energy;
but together bring back traces of undetermined events
that once marked your life and cannot be forgotten.
A mind game, with thoughts that circulate and remain hanging.
Copyright © 2020 by Stichting Donemus Beheer. All rights reserved.
Stichting Donemus Beheer, Rijswijk, The Netherlands
Score available for purchase or rental at:
Donemus Webwinkel — En-Kin-Esi [Εν Κινήσει]
Follow and Listen (2018) – for 4 percussionists on escalators
A Ritual. A call. A procession.
Follow the sound; and listen.
Commissioned by Tera de Marez Oyens Foundation for winning the Tera de Marez Oyens award during the Gaudemaus Festival 2016.
Premiere: 05.09.2018, Gaudeamus Festival 2018, Utrecht, The Netherlands
Performed by Slagwerk den Haag.
Copyright © 2018 by Stichting Donemus Beheer. All rights reserved.
Stichting Donemus Beheer, Rijswijk, The Netherlands
Score available for purchase or rental at:
Donemus Webshop – Follow and Listen
Black Sand (2018) – for two Bass-clarinets, Violoncello & Koshi Chimes
commissioned by November Music Festival in co-production with Basklarinet Festijn
premiere: 9 October 2018, Grand Theater Groningen
Fie Schouten – Bass-clarinet
Marij van Gorkom – Bass-clarinet
Eva van de Poll – Cello
Beltane Ruiz Molina – Double Bass (in arrangement for Bass Clarinet, Cello & Double Bass)
Ode to Kirkjufjara
Black magic, dark energy
Reflections of the waves that never rest Surrounded by gigantic rocks
Black are the rocks
Black is the sand
Black is the beach
High tides engender lethal waves
Do not approach
the hidden space
Do not engage the tempting call
It can be mortal.
Copyright © 2018 by Stichting Donemus Beheer. All rights reserved.
Stichting Donemus Beheer, Rijswijk, The Netherlands
Score available for purchase or rental at:
S o c i a l I C E (2016) – for Soprano Singer and Alto Saxophone
Winner of the 2nd place at the Tera de Marez Oyens Prize during the Gaudeamus Muziekweek 2016 at Tivoli Vredenburg, Utrecht, The Netherlands
In a society where social media have been increasingly influencing our lives, or rather enslaving our lives, some are perfectly assimilated with
a world that does seem perfectly normal, perfectly free, perfectly happy, perfectly perfect.
Sara Carolina Marques – Soprano
Sarah Wünsche – Alto Saxophone
Text: Georgia Nicolaou
Copyright © 2017 by Stichting Donemus Beheer. All rights reserved.
Stichting Donemus Beheer, Rijswijk, The Netherlands
Score available for purchase or rental at:
Empty Pools (2015) – for Theater
directed by Bram van Helden
[electroacoustic music]
The Before, the After and the In Between (2015) – for large ensemble
Sometimes events or circumstances do not occur in a normal or specific order,
but in a rather strange consequence.
You might think that you did not achieve anything by the beginning,
or even the end,
but looking at the whole In Between,
you realize that it actually worth it trying.
Trying, to reach that step forward.
This is an experience, a creation of a spatial panorama
where nothing emerges,
nothing terminates.
Just unfolds through time driven by its own energy.
Oscillates, following its own deviations,
celebrating its occurrence.
This is an experience
Nothing more or nothing less.
Performance: AKOM Ensemble directed by Roberto Beltrán Zavala
17 October 2015, De Doelen – Rotterdam
Το ρολόι [The clock] (2014) – electroacoustic composition
Text by Lena Von Ti
Voice & Recordings: Georgia Nicolaou
Through Skin (2014)
an electroacoustic composition using sounds recorded
through a single frame drum
Frame Drums: Kostis Poulinakis & Georgia Nicolaou
Cought in a loop (2014) – for Dance
an electronic piece composed in collaboration with Eduardo Rojo González and Remi Inari for the Interdisciplinary Dance project, ‘A Blind Date!’
Vocals: Georgia Nicolaou
Trumpet: Remi Inari
Keyboards, Mixing: Eduardo Rojo González
Αἰθήρ [Aether] (2014) – for Classical Guitar
Fanis Zachopoulos – Guitar
Aristotle named it as the fifth element of our universe. For the ancient Greek gods it was the pure essence that they breathed, filling the space where they lived. Amongst scientists and philosophers, Aether has been given numerous names, such as the fifth fundamental force or the medium that fills the upper space and transmits forces or even the ‘dark energy’. Whatever it is, the existence of this element always fascinated me! I really believe that it surrounds every living organism, something like an aura. With this piece I wanted to feel the vibrations of the strings of the guitar in a slow mode and travel with its sound; following the harmonics that spread around the space, just like Aether!
My other selves (2014) – for two Contrabasses, Electronics and Dance
A woman, lost, confused, angry. Does she deserve this? Is it her fault? Nobody deserves a life full of insecurity and despair. But for everyone there is a way out, whatever it costs; she will survive. “My other selves” is a piece about the struggle with her inner multiple selves where she will either win back or lose her exceptional dominance.
A blend between the dominance of the contrabasses, but also the dominance of her troubled mind. Will she drown in her own thoughts or listen to the voice that she lost?
Contrabass – Laura Nygren
Contrabass – Eva Euwe
Electronics – Georgia Nicolaou
Dancer – Inger van Beek
Concept – Georgia Nicolaou
Choreography – Inger van Beek/Georgia Nicolaou
Technical Assistance: Markos Moraitis
Ηχώ [Echo] (2014) – for two Voices and Wii controller
Aerial State of Mind (2013)
1. ID vs Superego – for Flute and Clarinet in A
2. The Eternal Struggle – for Chamber Ensemble
Aerial State of Mind is about the games played between the conscious and subconscious in our minds when it comes to making decisions. According to Freud’s structural model of the psyche, the ID is the part of our mind that is responsible for the impulsive and instinctual trends, the Superego has the moralizing role and the Ego is the realistic part that mediates between the desires of the ID and the Superego.
In this piece, instruments or groups of them struggle continuously finding their way out, sometimes by going against each other, sometimes by following each other and sometimes by just compromising.
Karyatides Duo
Flute – Lina Tsiva
Clarinet – Maria Rosaria Della Ragione
Ensemble
Conductor – Jurrien Sligter
Flute/Piccolo – Louise Berendsen
Oboe – Joel Luis Vega Salgado
Bass Clarinet/Clarinet in Bb – Harm Meurders
Alto Saxophone – Rusne Mikiskaite
Tenor Saxophone – Sari-Anna Ikonen
Trumpet in Bb – Melanie Garrett
Harp – Marleen de Bakker
Violin I – Dmitrijs Granicins
Violin II – Sofia Papakostaki
Viola – Aida Alvares Fernandes
Violoncello – Tomy Karastergios
Contrabass – Laura Nygren
East Coast Dive (2013) – for Solo Piano [arranged for Saxophone Quartet]
Every summer I spent most of my vacation time at my hometown, at the East Coast of Cyprus. I swim and dive there almost every day. When I jump into these blue-green, crystal clear waters I just feel great!
This piece was originally written for the Blues project of the pianist Marcel Worms, for Solo Piano. For this project we had to write a short piece using the ‘Blues Element’. Every composer could interpret this freely, since ‘Blues’ could be a specific type of rhythm and form, or just a feeling.
I arranged it afterwards for Saxophone Quartet, because I like the ensemble’s unique sound, which is ideal for rhythmical and swing-like music.
Soprano Saxophone – Els van der Weij
Alto Saxophone – Bernardo Parilla
Tenor Saxophone – Sari-Anna Ikonen
Baritone Saxophone – Rusne Mikiskaite
Copyright © 2017 by Stichting Donemus Beheer. All rights reserved.
Stichting Donemus Beheer, Rijswijk, The Netherlands
Score available for purchase or rental at:
Donemus Webshop – East Coast Dive : for saxophone quartet / Georgia Nicolaou
Dreams in a Groundless Land (2013) – for Clarinet and String Quartet
What happens in our dreams usually reflects our thoughts and concerns but also moments of nostalgia and reminiscence.
In this piece the influence from the folk music of my country is clear as the hasty nostalgic stages
I sometimes have in my routine, since I left Cyprus and I moved to the ‘Groundless Land’.
Clarinet – Maria Rosaria Della Ragione
Violin I – Panagiotis Lampouras
Violin II – Dmitrijs Granicins
Viola – Sofia Papakostaki
Violoncello – Pilar Veliz
Fuego (2012) – for Tenor Saxophone and Piano
A furious dance, a passionate call, an outburst of energy. The tango rhythm is emerging from the restless flames that roar higher and higher.
‘Fuego’ or Fire could be called a Contemporary Tango.
Sari-Anna Ikonen – Tenor Saxophone
Carol Ruiz Gandia – piano
Antigone (2012) – a song cycle for Soprano and chamber music ensemble
I.Wonders are many…
II.Sin
III. Love
IV.Fate
Words: Excerpts from the Ancient Greek Tragedy “Antigone” by Sophocles, translated in English.